Organized in 1991 in Moscow on the basis of the Institute of Theater Arts (GITIS, founded in 1878 as the Musical Drama School). Trains actors, directors of drama and musical theatre, pop, choreographers, etc. In 1993 St. 1 thousand… …
- (RATI), organized in 1991 in Moscow on the basis of the Institute of Theater Arts (GITIS named after Lunacharsky, founded in 1878 as the Musical Drama School under the Philharmonic Society), a higher educational institution. Trains actors, directors... ... encyclopedic Dictionary
RATI (Maly Kislovsky Lane, 6), one of the largest theater universities, trains actors and directors for drama and musical theaters, pop and circus, theater experts, teachers, choreographers, performing arts managers, etc. ... ... Moscow (encyclopedia)
- (, 6), one of the largest theater universities, trains actors and directors for drama and musical theaters, variety theaters, theater experts, teachers, choreographers, performing arts managers, etc. in 19 specialties. Founded in 1878... ... Moscow (encyclopedia)
THEATER ARTS INSTITUTE (GITIS), see Russian Academy of Theater Arts (see RUSSIAN ACADEMY OF THEATER ARTS) ... encyclopedic Dictionary
- (GITIS) see Russian Academy of Theater Arts... Big Encyclopedic Dictionary
- (GITIS), see Russian Academy of Theater Arts... encyclopedic Dictionary
A wide variety of specialties in 8 faculties has a fruitful effect on the training of students, who, starting from the first year, exist in an atmosphere of cooperation between masters of different theater professions, which greatly facilitates their independent career after graduation. The GITIS Theater with 200 seats is the first professional platform for students, where aspiring directors, actors and stage designers try their hand; Often the performances of this theater become a very significant event in the theatrical life of Moscow and are placed by experts on a par with the works of recognized masters.
The universality of professional training is the original feature of GITIS, which throughout the history of its existence has concentrated within its walls training in the three most important areas of theatrical art - drama, music and choreography, and already in the 1930s. introduced university training in theater studies and management in the arts. Along with professional training, today's GITIS students receive a university-type liberal arts education. This opens up wide opportunities for graduates to apply their professional knowledge and skills.
Faculties:
- Acting department
- Directing department
- Faculty of Musical Theater
- Faculty of Theater Studies
- Ballet Department
- Faculty of Variety
- Producing Faculty
- Faculty of Scenography
RATI GITIS: admission rules, entry requirements, required documents, program, list of required literature, tuition fees, contacts
About GITIS. RATI GITIS - Russian Academy of Theater Arts, State Institute of Theater Arts. One of the largest theater universities in the world.
Founded on November 22, 1978 by pianist Pyotr Adamovich Shostakovsky as a Music and Drama School for visitors under the patronage of the Society of Music and Dramatic Arts Lovers in Moscow. The institute, which was then called the Music and Drama School, found its current location - a building in Maly Kislovsky Lane, building 6 - in 1902.
The name GITIS - State Institute of Theater Arts - appeared at the institute on September 17, 1922, after merging with the highest theater workshops under the leadership of Meyerhold. Meyerhold created a theater at GITIS. In 1923, the theater separated from the institute and became the Theater named after. Mayrhold.
GITIS faculties: acting, directing, musical theatre, theater studies, choreography, variety, production, scenography.
Acting department of RATI GITIS. The acting department of GITIS trains students in the specialty "acting art" and specialization "Artist of dramatic theater and cinema." The duration of study at the acting department of GITIS is 4 years with full-time or part-time study.
Training at the acting department of GITIS can take place on a budgetary or commercial basis, depending on the results of entrance examinations.
Famous actors who graduated from GITIS: Anatoly Papanov, Irina Muravyova, Alexander Demyanenko, Liya Akhedzhakova, Alexander Abdulov, Viktor Sukhorukov, Zhanna Eple, Vladimir Korenev, Polina Kutepova, Fedor Malyshev, Madeleine Dzhabrailova, Galina Tyunina, Rustem Yuskaev, Pavel Barshak, Dmitry Dyuzhev
Rules for admission to the acting department of RATI GITIS:
GITIS requirements for applicants: completed secondary education, age up to 20-22 years. Admission to RATI GITIS is underway in 4 stages: qualifying round, practical exam on the artist’s skill, oral colloquium and presentation of Unified State Examination results in Russian and literature.
1. Qualifying consultations (tours). Starts in April. Applicants prepare a program for performance from a number of literary works of various genres: fable, prose, poem, monologue.
Applicants who have passed the qualifying round are admitted to the entrance examination stage:
2. Artist's skill (practical exam). Evaluated on a 100-point scale. Involves performing by heart several literary works: fables, poems, prose, monologues. It is desirable to include in the program short excerpts from works of classical, modern Russian and foreign literature, which differ from each other in content and genre.
At the practical exam on the skill of an artist at GITIS, the following are assessed: the applicant’s abilities, the breadth of his creative range, the depth of the work performed, and the ability to interest listeners in it.
3. Colloquium (orally). Evaluated on a 100-point scale. Reveals: knowledge of the main events of international and social life, the ability to correctly navigate issues of modern theatrical life (literature, music, fine arts, cinema and television).
At the GITIS oral colloquium, the cultural level and aesthetic views of the applicant are assessed.
4. Unified State Examination results in Russian and literature for students graduating in 2013-2014.
If you have a higher education, graduated from a secondary educational institution (school) before 2009, have a secondary vocational education in your specialty of entry, or are citizens of neighboring countries, the applicant does not need Unified State Examination results. In this case, in addition to clauses 2 and 3, he takes general education exams at GITIS: Russian language (essay) and literature (orally).
List of documents for the GITIS Admissions Committee for applicants to full-time and part-time departments of the acting department of GITIS:
Acceptance of applications from applicants admitted to the competition is from June 15 to July 5. Entrance exams are held from July 1 to July 15.
- Application addressed to the rector (using a single form);
- Certificates of Unified State Examination results in Russian language and literature or their copies, certified in the prescribed manner (they must be replaced with originals before enrollment). Persons who successfully passed the entrance exams, but for objective reasons did not have the opportunity to participate in the Unified State Exam during the final certification period, can take the Unified State Exam after the completion of the entrance exams in the direction of the University, in July of the current year. They will be enrolled upon presentation of the certificate;
- Certificate or diploma (original);
- 6 photographs 3x4 cm (photos without headgear);
- Medical certificate (form 86/у), dated the current year;
- Passport and its photocopy (to be presented in person);
- Young men present a military ID or registration certificate and hand over copies of these documents.
In addition, applicants for extramural submit to the Admissions Committee:
- Certificate of employment;
- A certified copy of the work record book or, in its absence, a copy of the employment contract.
Applicants who do not pass the competition may be offered paid training by decision of the Examination Committee. If the applicant has a diploma of higher education, according to the Law of the Russian Federation “On Education”, training is possible only on a commercial basis.
GITIS cost of commercial training at the acting department: 200,000 rubles per year
List of required literature GITIS:
- Stanislavsky K. My life in art. Any edition.
- Stanislavsky K. Ethics. 1961.
- Nemirovich-Danchenko Vl. Any collection.
PLAYS
- Fonvizin D. Minor.
- Griboyedov A. Woe from Wit.
- Pushkin A. Little tragedies.
- Gogol N. Inspector.
- Lermontov M. Masquerade
- Ostrovsky A. Thunderstorm. Dowryless. Forest.
- Tolstoy L. The power of darkness. Living Dead.
- Chekhov A. The Cherry Orchard. Gull. Three sisters.
- Gorky M. Bourgeois. Enemies. Summer residents.
- Bulgakov M. Days of the Turbins. Run.
- Mayakovsky V. Bedbug. Bathhouse.
- Arbuzov A. Tanya.
- Rozov V. Forever alive.
- Vampilov A. Eldest son. Last summer in Chulimsk.
- Volodin A. Five evenings. Two arrows.
- Petrushevskaya L. Any plays.
- Lope de Vega. Sheep source.
- Shakespeare W. Hamlet. Romeo and Juliet. Othello.
- Moliere J-B. A tradesman among the nobility.
- Schiller F. Cunning and love.
- Brecht B. Mother Courage and her children.
Long-term traditions of theater education at the highest level are the hallmark of GITIS. Famous teachers, popular graduates, high places in rankings - these are the best words that can be said about this university.
All articles »About the university
The history of successive educational institutions, transformed as a result into RATI, began on October 22, 1878, when the “P. Shostakovsky Music School for Visitors” was opened, which was under the patronage of the Society of Lovers of Musical and Dramatic Art.
In 1883 decree. The society was renamed the Moscow Philharmonic Society, and the music school received the status of the Music and Drama School under it (clause 2 of the charter of the Moscow Philharmonic Society, approved 08/9/1883). Both the School and the Society as a whole were under the patronage and tutelage of Grand Duke Nikolai Nikolaevich. Subsequently, the School was equalized in rights to higher educational institutions - conservatories, which was recorded in a new charter approved by the Emperor at the request of Grand Duchess Elizabeth Feodorovna.
The drama classes of the Music and Drama School were headed by famous actors, teachers and theater figures: in 1883-1889. A. Yuzhin, in 1889-1891. O. Pravdin, in 1891-1901 Vl. I. Nemirovich-Danchenko.
Subsequently famous actors and directors graduated from the school at different times; for example, among the graduates of the School in 1898 were Knipper, Savitskaya, Meyerhold, Munt, Snegirev and others. In 1898, graduates of the Music and Drama School and participants of the Society of Art and Literature united into one troupe, laying the foundation for the Moscow Art Public Theater (later the Moscow Art Theater ).
This is how Vl recalled it. I. Nemirovich-Danchenko about his 10 years of work at Shostakovsky’s school:
“I owe a lot to the Philharmonic. There I strengthened myself in my stage tasks. And from there came the Art Theater. The founder of the Philharmonic, Shostakovsky, had great dignity as a director: he valued individuality, guessed it and gave it conditions for free growth. While in the lush then, in a firmly established, strict Conservatory, the student was quickly constrained by the rules and requirements of certain dogmas - in the Philharmonic they already knew that swaddling a child was harmful. True, this often led to some anarchic debauchery, but it was not so difficult to fight this. But try, "experimenting," achieving something different from what was "highly approved" could be confident that you would find support in the director. I came to teach while learning, I came with the goal that in a year, as an acting teacher, I could replace an actor like Yuzhin, and I myself had neither significant acting nor stage teaching experience.In my youth I acted as an amateur, did amateur performances, by this time I was a fashionable playwright, and when I staged my plays, I directed them myself. For students who were looking for acting authority, this was not enough. It would probably be impossible to gain their trust without top support. And at the Philharmonic I received all the conditions for my quest. Do we know, for example, that Ibsen was first heard on the Russian stage for real, as a social poet, at the Philharmonic's student performance in "Hope", despite the fact that before that "Nora" had already been performed in Moscow by both the famous Duse and gorgeous Russian – Azagarova.
This, of course, is the subject of detailed memoirs to tell about the conditions in which my, it seems, ten-year work at the Philharmonic took place: everyday features, artistic individuality, the boundaries of school opportunities, the height of artistic tasks, the emergence of groups, etc., etc. In these lines, I only want to sincerely remember this institution dear to my heart. And my deepest connection with him: from here (as from the Society of Art Lovers - the Alekseev-Stanislavsky circle), the Art Theater will be born... Dreams, burning, daring - what other strong words are there for these concepts - the fight for your “new” ", self-sacrifice, overcoming, bitter failures and joyful holiday victories! Working together, connecting with love, friendship, devotion, an indescribable change of images and episodes! How many of you are not familiar with these precious experiences of aspirations, struggles, defeats and victories? These are the experiences I have with the Philharmonic."
In 1902, the Music and Drama School moved to the old mansion of the Soldatenkov family on Maly Kislovsky Lane, where the RATI is located to this day.
On October 24, 1903, the “Charter of the Musical and Drama School of the Moscow Philharmonic Society, under the august patronage of Her Imperial Highness Grand Duchess Elizabeth Feodorovna,” was approved. According to the Charter, the School was part of the department of the Ministry of Internal Affairs:
Famous figures of Russian musical culture taught in the music classes of the Musical Drama School: P. Shostakovsky, R. Ehrlich, S. Koussevitzky, K. Erdeli. Composer V. Kalinnikov and singer L. Sobinov graduated from the school, making the glory of Russian musical culture. The tradition of drama classes to end their studies with a performance was also adopted by music classes, where opera performances were staged, as well as student symphony orchestra programs. The skill of the young musicians allowed P. Sarasate, S. Rachmaninov, L. Sobinov, F. Chaliapin, A. Arensky and others to perform with this orchestra.
Since 1918, the Music and Drama School has undergone a number of reorganizations and renamings due to changes in the state education system. So, in 1918 it was renamed the Music and Drama Institute, and then in 1920 the State Institute of Musical Drama (GIMDr) with a drama department. Drama department in 1921-1925. headed by A. Petrovsky; Dramatic art at the department was taught by A. Zonov, N. Aksagarsky, A. Chabrov, A. Geirot, L. Lurie. Inheriting the traditions of the “scientific” classes of the school, in 1921-1925, along with such subjects as diction, voice production, dance, fencing, the history of drama and the history of literature were taught. The course of study at the State Institute of Mechanical Engineering was planned for 7 years, of which 2 years were allocated to a technical school, 3 years to a university, 2 years to “free workshops” (i.e., practice).
In August 1922, the State Institute of Musical Drama was united with the State Higher Theater Workshops, led by Vs. Meyerhold. It was this association that was named the State Institute of Theater Arts - GITIS, the official date of its formation was September 17, 1922. According to the plan, GITIS was supposed to unite the three most important branches of theatrical art: drama, opera and choreography.
The Drama Faculty, headed by Prof. A. Petrovsky, from the very beginning, consisted of two departments - theater-instructing and directing. Training at the faculty was conducted in the workshops: Sun. Meyerhold, N. Malko (musical drama), B. Ferdinandov (experimental heroic theater), A. Petrovsky, N. Foregger, N. Aksagarsky. There were national workshops - Latvian, Jewish, Armenian.
In June 1923, the State Practical Institute of Choreography (GPIC) with drama ballet, synthetic dance, pantomime and classical dance workshops joined GITIS as a faculty. Thus, three faculties were formed: drama (headed by A. Petrovsky); opera (led by K. Sarajev), and choreographic (N. Rakhmanov).
In 1924, by Decree of the Council of People's Commissars, the existing theater institutes in Moscow and St. Petersburg were closed “due to shortcomings in theater education,” but GITIS was still allowed to graduate students in an accelerated manner.
The circle and club movement, which was actively developing in those years, was the main incentive for the subsequent creation of theater instruction courses on the basis of the already disbanded GITIS. In 1925, the Central Technical School of Theater Arts, CETETIS, was created, a four-year educational institution designed to “educate highly qualified masters.” Two departments were opened in CETETIS - music-drama (opera) and drama, and four specialties were approved: acting, directing, club-instructing and teaching. The teachers of CETETIS remain professors and teachers of GITIS; the number of students, compared to GITIS, has doubled.
In 1926, on the basis of graduates of GITIS and CETETIS, the Musical Drama Theater was formed in Zamoskvorechye, in whose performances students of the institute also participated.
The curriculum of CETETIS is a valuable historical testimony to the nature of the educational process that took place there:
1) Disciplines common to all departments:
(a) public items:
political economy,
soviet constitution,
history of class struggle and the CPSU(b),
historical materialism,
sociology of arts,
anatomy and physiology,
reflexology,
foreign languages (Italian, German, French);
(b) art history subjects:
theater studies,
theater history,
the latest theatrical trends,
history of costume;
(c) performing arts:
primary elements of stage action,
stage exercises,
stage practice based on theatrical art,
production workshops (practice for opera and drama),
facial expressions and makeup;
(d) word and speech:
speech technique,
speech music,
voice production;
(e) movement:
physical education (acrobatics and fencing),
gymnastics and games,
rhythm, dance;
(e) musical items:
compulsory piano,
music diploma based on choral singing.
2) Special disciplines in the drama department:
(a) art history subjects:
dramaturgy,
poetry and analysis of literary forms.
3) Special disciplines at the club-instructor department:
(a) public items:
trade union movement,
cultural work of trade unions;
(b) club business:
clubbing,
methodology of working circles,
practice in clubs;
(c) performing arts:
directing (theory and practice),
small and forms of club work,
ways to create a club performance."
In general, CETETIS marks an important stage in the formation of the Russian directing school, since within its framework an independent club and instructor department was formed for the first time (in the 1927-28 academic year), and in the drama department, a series of lectures on directing was introduced.
The logical conclusion of this process was the opening of the directing and pedagogical faculty on the basis of the directing and club department of CETETIS on September 15, 1930. The faculty began to train stage directors (heads of professional theaters, large workers' clubs and palaces of culture), acting teachers (for technical schools, workers' faculties, state studios, advanced theater courses) and instructors-methodologists (i.e., theater workers of the regional and regional scale, art houses, amateur theaters, trams and art bases). This was the world's first experience in professional training for directors; RATI-GITIS is still a recognized leader in this field.
In general, the curriculum of CETETIS speaks of a wide range of disciplines taught, including subjects not only of a special, but also of a general humanities cycle (even if these subjects seem not quite common today). It is not surprising, therefore, that already two years after the creation of CETETIS, it became clear that both in terms of the teaching staff and the quality of the education given there, CETETIS had outgrown the framework of a technical school set for it, and had reached the level of a higher educational institution. Back in 1928, at the celebrations dedicated to the 50th anniversary of theater education in Russia, this was noted in the anniversary speech of the People's Commissar of Education Lunacharsky, and the beginning of the 30s became a time of lively discussion in theater and pedagogical circles about the form appropriate for a theater university ("thea -university").
On August 2, 1931, the resolution of the Council of People's Commissars of the RSFSR "On the reorganization of the art education system in the RSFSR" was published, which regulated the activities of art higher educational institutions and workers' faculties, and on October 1 of the same year, by decision of the Council of People's Commissars, a theater university was created, which received the name already familiar to everyone - GITIS.
The newspaper “Soviet Art” (10/13/1931) in an article entitled “GITIS in the corridor. The theater university opened in the smoking room” talked about this event as follows: “A theater university opened in the rehearsal room of the Chamber Theater. The opening took place without any “pomp”, the usual in these cases. No one greeted the newborn GITIS. There were no addresses or congratulations. The director of the new university, Comrade Loginov, declared GITIS open. Students, seated on chairs and windows of the cramped room, listened to reports from GITIS leaders and went to classes. Classes were held in corridor and in the smoking room of the Chamber Theater. Thus passed this “historic day of the opening of the world’s first theater university.”
In 1931, for the first time in Europe, GITIS began university training of specialists in the field of organizing theater business - a director's department was opened, which existed until 1939. In 1931, a theater studies department was organized with departments of the history of Russian and Western European theater.
For another three years after its second opening, GITIS existed as part of the Theater Combine (Teakombinat), combining old and new educational structures: (a) GITIS - a higher educational institution with the faculties of directing, pedagogical and instructional, theater studies and administrative and economic; (b) TSETETIS - technical school, where now only actors were trained in the drama and music-drama departments; (c) Thearabfak.
In July 1935, the Teakombinat was again transformed into the State Institute of Theater Arts with three faculties: directing (with three-year training), directing (with four-year training), and acting (with four-year training). During these years, such famous theater figures as S. Birman, L. Baratov, B. Mordvinov, E. Saricheva, B. Sushkevich, N. Zbrueva, L. Leonidov, M. Tarkhanov, V. Sakhnovsky, O. taught at GITIS. Pyzhova, B. Bibikov, O. Androvskaya, I. Raevsky, V. Orlov, A. Lobanov, I. Anisimova-Wulf, G. Konsky, F. Kaverin, P. Leslie, M. Astangov, I. Sudakov, Yu. Zavadsky. It was during these years that large-scale training of national studios was launched, which exists in a wide variety of forms to this day.
The pre-war history of GITIS reflected the social life of the country, trying on forms that were sometimes difficult to compatible with theater and the theatrical educational process. Thus, information has been preserved that in the spring of 1938, the GITIS team proposed organizing an all-Union competition between art educational institutions and called for “... to fight for exemplary and timely implementation of the curriculum, independence of creative work of students, exemplary conduct of educational and industrial practice, organization of at the end of the year, final showings of the best works, exemplary conduct of the new recruitment." In response to this appeal, K. S. Stanislavsky wrote: “Dear comrades, the initiative you made in organizing socialist competition is a necessary and useful thing. I warmly welcome your initiative. Our country needs well-trained creative personnel. Socialist competition should help us overcome difficulties in work and improve the quality of study. Our studio accepts your challenge and joins the competition."
On the eve of June 22, 1941, students took exams and tests for the spring test and examination session of the 1940-1941 academic year, but the outbreak of the Great Patriotic War crossed out a lot in their student life.
In September-October 1941, classes at GITIS were temporarily suspended. In empty classrooms, only front-line brigades rehearsed. On October 23, a passenger train carrying GITIS students left Moscow for Saratov. Those who arrived from Moscow were accommodated in the dormitory of the Saratov Medical Institute, but the students studied in the premises of the art school. A group of students from the directing department joined the acting department.
The front-line theater GITIS, formed from graduates of the acting and directing departments in the summer of 1942 in Saratov, also contributed to the movement of front-line theaters.
The theater performed near Moscow, on the Kalinin, Volkhov, Karelian, First Baltic, First Belorussian, Second Belorussian fronts, playing the play “A Guy from Our City” 146 times, “Night of Errors” 160 times, 47 times a composition specially made based on the play by N. Pogodin "Man with a Gun", 139 - "Honeymoon", 56 - "The Marriage of Balzaminov", 34 - "So It Will Be", thousands of times - vaudevilles, sketches, constantly updated concert programs. On May 3, 1945, the Gitisovites in defeated Berlin gave their last performance for the liberating soldiers. having worthily completed a four-year journey of incredibly difficult front-line roads. During the 1,418 days of the war, the theater gave more than 1,500 performances.
The director and director of the First Front Theater of the WTO was a graduate of GITIS, who returned from the front after being wounded, A. Goncharov. Graduate V. Nevzorov, who returned from the front after numerous wounds, worked as the director of the Front-line Theater of the WTO. A graduate of the directing department, B. Golubovsky, worked as the chief director at the Komsomolsk-Front Theater of GITIS, who then organized the Front Theater of Miniatures "Ogonyok". Graduates, students, and teachers of the institute fought on many fronts. Many were awarded the highest military awards, including the star of the Hero of the USSR, which was posthumously awarded to N. Kachuevskaya.
In the post-war years, GITIS vigorously expanded, new faculties appeared. On August 5, 1946, the directing department came up with a new initiative - three departments were opened at the faculty: opera, directing, and ballet. The opera department was first transformed into a department of musical theater directors, then on its basis the department of musical theater was created. Its founders were: I. M. Tumanov, M. P. Maksakova, P. M. Pontryagin.
In the fall of 1946, the Department of Choreography was created. The department was headed by R.V. Zakharov. His ideas were supported and helped to implement them by A. V. Shatin, L. I. Lavrovsky, Yu. A. Bakhrushin, N. I. Tarasov, T. S. Tkachenko, A. Tseytlin, M. V. Vasilyeva-Rozhdestvenskaya.
Since 1958, the Educational Theater has been operating at GITIS, known for many of its productions and playing a vital role in training students in all theater specialties.
In 1964, an experimental course of variety directors was recruited at the directing department, and 3 years later, in April 1968, the department of directing variety and mass performances was organized; finally, in 1973, the variety department opened. The founder of the variety department - and formerly the course leader and head. The department at the directing department was I. G. Sharoev.
In 1966, the first intake of part-time students took place at the department of circus directors, and in 1967 F. G. Bardian headed the department of circus directors at the directing department. In 1973, a full-time department was opened, and in 1975, the Department of Circus Arts was created. Among the graduates of the department are such masters as V. Averyanov, E. Bernadsky, Y. Biryukov, A. Kalmykov; People's Artists of the USSR - L. A. Shevchenko, V. A. Shevchenko, M. M. Zapashny. V. V. Golovko; People's Artists of Russia - L. L. Kostyuk, A. N. Nikolaev, V. Shemshur. Such masters as V. Krymko, B. Bresler, M. Zolotnikov, M. Mestechkin, E. Lagovsky worked at the department. Currently, the Department of Circus Arts is headed by Doctor of Art History, Professor M. I. Nemchinsky.
In 1974, the production faculty found a second life, setting itself the goal of forming highly qualified managers of a wide profile - not only for theaters, but also for television, show business, cinema, and the circus. In 1992, the Faculty of Scenography was opened.
In 1991, GITIS was awarded the status of an academy, and the Institute was renamed the Russian Academy of Theater Arts - GITIS.
The traditions of the Academy are in continuity. The basic principle of “student-teacher-student” is the most important in the selection of teaching staff; Therefore, many teachers of the Academy today are graduates of RATI-GITIS from different years.
Today RATI-GITIS is integrated into the world system of theater education. Its partners are theater schools in the UK (Middlesex University, London Guildhall School of Music and Drama, Guildford Theater School), France (National Conservatory of Dramatic Art in Paris, National Higher School of Theater Arts in Lyon), Holland (Theater Academy in Amsterdam) , Germany (International Theater Center in Berlin), Israel (Beit Zvi Theater School in Tel Aviv), China (Central Academy of Drama in Beijing), Czech Republic (Academy of Music and Dramatic Art in Brno), Italy (Academy of Dramatic Art named after Silvio d'Amico in Rome), Colgate and Cornell Universities (USA), International MA-MFA-Short courses program (London, Madrid, Michigan, Moscow, Paris), etc.
Teachers and students of the Academy take part in international theater schools and festivals. RATI-GITIS is the initiator of the international festival of theater schools "Podium" held every two years in Moscow.
RUSSIAN ACADEMY OF THEATER ARTS(RATI; until 1991 GITIS - State Institute of Theater Arts, since 1934 named after A.V. Lunacharsky), the largest theater educational institution in Russia. On September 22, 1878, the Ministry of Internal Affairs of Russia approved the lesson program for P.A. Shostakovsky’s music and drama school, and a month later it opened on Strastnoy Boulevard. The development of the school was supported by the Society of Lovers of Musical and Dramatic Arts. In 1883, the school received the status of the Music and Drama School under the Moscow Philharmonic Society. The school and the Society were under the patronage of Grand Duke Nikolai Nikolaevich. The school's drama classes were headed by A. Yuzhin from 1883 to 1889. The thoroughness of the students' preparation and the artistic talents of the graduates allowed the school to receive a new charter, equalizing its rights with conservatories, and to become a higher educational institution. The leadership of the drama department from 1889 to 1891 was taken over by the famous Russian teacher and actor O.A. Pravdin.
With the arrival of Vl.I. Nemirovich-Danchenko (1891–1901), a new stage in the development of the school began. Nemirovich-Danchenko trained a brilliant galaxy of young actors who were the pride of the national theater and national culture (O.L. Knipper, M.G. Savitskaya, V.E. Meyerhold, E.M. Munt, B.M. Snigirev). The unification in 1898 of graduates of the Music and Drama School and members of the Society of Art and Literature into one troupe marked the beginning of the Moscow Public Art Theater. In 1902, the school moved to Maly Kislovsky Lane, where the Academy is located to this day. Since 1918, the school has undergone a number of reorganizations and renamings due to changes in the state education system. So, in 1918 it was renamed the Musical Drama Institute, and in 1920 - the State Institute of Musical Drama with a drama department. Dramatic art was taught by A. Zonov, A. Chabrov, A. Geirot, L. Lurie, A. Petrovsky. Along with such subjects as diction, voice training, dance, fencing, the history of drama and the history of literature were taught. In 1922, the State Institute of Musical Drama was united with the State Higher Theater Workshops, led by Vs. Meyerhold. This association was named the State Institute of Theater Arts (GITIS).
Training was conducted in 9 “production workshops”: Meyerhold, N. Malko (musical and dramatic), B. Ferdinandov (experimental heroic theater), Petrovsky, N. Foregger, N. Aksagarsky, national minorities (Latvian, Jewish, Armenian). In 1923, the State Practical Institute of Choreography joined GITIS with workshops for drama ballet, synthetic dance, pantomime and classical dance. Three faculties were organized: drama, opera and choreography. The drama department consisted of acting and directing departments. In 1925, GITIS was reorganized into the Central College of Theater Arts (CETETIS), which existed until 1931, then into the Theater Combine and in 1935 into the State Institute of Theater Arts with three faculties: directing (three-year training), directing (four-year training), acting (four-year training). ). During these years, famous theater figures S. Birman, L. Baratov, E. Saricheva, B. Sushkevich, N. Zbrueva and others taught at GITIS. On the basis of graduates of GITIS and TSETETIS, the Musical Drama Theater was formed, in the performances of which both students of the institute. The tradition of direct entry into practical life and the formation of stage skills among students was preserved in subsequent years: in 1958, the Educational Theater was organized at GITIS, which became an important link in the training of actors and directors. In 1931, a theater studies faculty was organized with departments of the history of Russian and Western European theater. In 1935, masters of the Moscow Art Theater L. Leonidov, M. Tarkhanov, V. Sakhnovsky came to teach at GITIS, O. Pyzhova, B. Bibikov, O. Androvskaya, I. Raevsky, V. Orlov, A. Lobanov began teaching within the walls of the institute , I. Anisimova-Wulf, F. Kaverin, M. Astangov, Y. Zavadsky and others. It was during these years that large-scale training of national studios was launched, which exists in a wide variety of forms to this day.
The Great Patriotic War did not bypass GITIS either. A front-line theater was organized from graduates of the acting department, which gave more than 1,500 performances during the war. In the post-war years, GITIS expanded, departments of musical theater, variety art, a production department and a stage design department appeared.
In 1991 GITIS was renamed the Russian Academy of Theater Arts (RATI). Currently, the Academy provides training in all theater specialties.