Modern designers and architectural experts make it possible to make each home special, unlike the others. The widest area of ​​application of fantasies and ideas is the facade of a building, the most of which is the entablature.

Coming from the French word entablement, from table (table, board), an entablature in architecture is a horizontal, weightless part of a beam floor, usually lying on columns, pilasters, pillars as the overlap of their span, or the completion of a wall. It arose on the basis of wooden beam ceilings of temples from Antiquity.

It is the entablature crowning the columns that is a classical architectural form that is an integral part of the facade of any Ancient Greek temple or building in Ancient Rome. It was an essential part of the facade and was used in conjunction with a system of columns, forming an architectural order.

The structure of the columns and the entablature itself directly depends on the chosen order. But regardless of which order is chosen, the facade of the building is made in an imitative manner of the ancient Greek style, adapted to modern style. During the Renaissance, the entablature gained popularity only above the upper part of the facade, without a system of columns. This option is often used in the modern style of finishing buildings.

The entablature is divided into three most important architectural elements of the building:

• architrave;
• frieze;
• cornice.

It is generally accepted that the architrave, that is, the main part of the structure, comes from longitudinally located wooden beams that were laid on columns. The frieze came from the ends of the transverse beams, laid on top of the longitudinal ones, subsequently covered with slabs. Cornice is a strongly protruding part of the roof, designed to protect the facade of the building from precipitation.

The concept of entablature is used in relation to styles in construction chosen as an example, based on examples of classical architecture: classicism, neoclassicism, partly baroque. With the advent of stone buildings, the entablature began to lose some of its components.

Since the Renaissance, in addition to their functionality, architectural elements have received creative interpretation. Structures without defined parts are called:

• lightweight, entablature without architrave;
• incomplete when the frieze is missing.

Sometimes it becomes difficult to determine whether an entablature is incomplete or lightweight. To do this, you need to have an understanding of canonical orders.

Architectural orders

Architectural order (from the Latin order, structure) is a certain, established combination of elements of facade architecture, subordinate to one style, in compliance with the proportions and relationship of the arrangement of supporting and load-bearing structures in accordance with each other. There are three main orders:

• Doric;
• ionic;
• Corinthian.

Doric and Ionic are considered the main ones, while Corinthian is a secondary, more luxurious version of Ionic. In the architecture of ancient Greece, the main elements are the crepida (foot), columns, walls, roofs with a triangular pediment and the entablatures themselves.

The name of the orders comes from the area where they arose and the names of the tribes that lived in those places: the Dorians and Ionians, who were the main ancient tribes of Hellas. Thus, the emergence of the main orders dates back to archaic times, but they developed and reached the peak of perfection in the era of classicism.

Greek art tended to strive to reflect the image and structure of man through art, and architecture was no exception. For this reason, the orders differed from each other in plasticity, which is also characteristic of the human body.

Thus, the Doric order denotes the masculine principle; it is simple, massive, monumental, loaded. Ionic is a reflection of the feminine essence, lighter, more graceful, not overloaded, devoid of internal and external tension, plastic. Orders made of stone are the successors of the ancient wooden system, and therefore they contain traces of it in the form of simple and clear logical forms.

Doric order

The wooden prototype of the order had a massive structure, simple and austere, and consisted of the following parts:

• stereobat or crepida – stepped base;
• load-bearing supports in the form of columns;
• weightless façade structure – entablature.

The construction of the Doric order temple was based on a three-stage foundation, that is, a crepid. These were steps not meant to be walked on. Their height depended on the overall scale of the building. A single measure of the size of both the structure itself and its individual parts was the module.

To make the column more stable, its trunk narrowed at the top, and it was crowned with a capital, thanks to which a more convenient transition of the horizontal beams to the vertical plane of the columns was carried out. The capitals were covered with slabs on top: one - in the shape of an inverted truncated cone, echinus, held a square slab, the abacus.

The trunk of the Doric order column did not have a base and rested on the stylobate, that is, the upper slab of the stereobat. It had from sixteen to twenty vertical gutters of segmental cross-section, with sharp edges - flutes. Distinctive feature Greek order - expressiveness, artistry and plasticity in processing and harmony in the proportionality of its components.

Doric architrave represented by a wooden load-bearing beam, smooth, ended with a shadow, that is, a shelf. And under it there was an additional shelf - a regulator. The middle part of the entablature, that is, the frieze, was equipped with alternating slabs with vertical cutouts, called triglyphs. Between the triglyphs there were metopes; they were sometimes decorated with bas-reliefs. Vertical cutouts were located on the axis of the column and in the spans between them, the corner triglyph was located in the very corner of the frieze.

The Doric cornice overhangs the structure heavily. The hanging part of the cornice is beveled down, this is done so that water does not flow under it. A clearly defined horizontal line of the cornice visually completes its overall appearance and composition. The lower cornice slab is crowned with rectangular mutuls. To drain rainwater, a gutter was installed at the top of the cornice and on the side facades, which in turn went onto the sloping pediment cornice.

The pediment is usually a triangular, final detail of the facade of the building, which is limited on the sides by the cornice and roof slope. On the pediments there were recessed places called tympanums, on which sculptural compositions were usually installed, and the middle and corners were decorated with individual statues or ornaments.

Ionic order

The difference between the Ionic order and the Doric mainly lies in details and proportions. The column's base and capital are profiled. Base forms are divided into:

• Attic;
• Asia Minor

The Attic base is characterized by clarity and conciseness. The components of its profile are two shafts, between which there is an architectural concave break - scotia. The main elements are separated by shelves, and the shafts are decorated with braiding or grooves. The broken bases had a curved line, apparently they were drawn and subsequently made by eye.

Currency in architecture appeared on the developed Ionic capitals in the form of a cushion with two scrolls, which were located between the abacus and echinus. The horizontal divisions of the capitals were decorated with ornaments. Unlike Doric proportions, Ionic ones have an openwork, light structure filled with free space. The use of currency in architecture is an integral element of the decor of the Ionic and Corinthian facades.

The component parts of the entablature also differ. The architrave is divided into three strips projecting one above the other, which were called fasces. The frieze, unlike the Doric, did not have triglyphs; they were almost completely covered with bas-reliefs.

The Ionic cornice was decorated with a strip of ionics, egg-shaped ornaments, and was divided into an upper extension and a lower supporting part. All elements of the building's architecture were developed individually. Ionic temples were built with some shifting or tilting of columns and some other changes in comparison with the basic proportionality of the Doric order.

Optical illusions were present in Ionic buildings, for example, the technique of thickening corner columns was used in order to appear thinner against the background of a light sky. The horizontal lines of the entablature, as well as the steps and the upper part of the stylobate, were slightly curved upward. Due to this, there was no effect of deflection of the building horizontals. The trunk of the column was made slightly swollen, giving the impression that it was flattened under the weight of the entablature.

Components of the Corinthian order, which is the most refined of all: high columns, trunks, base, cut flutes. The main distinguishing feature is a carved capital in the form of a basket of acanthus leaves, which became especially widespread thanks to the Romans.

The entablature of the Corinthian order has all the components of the Ionic order. Only the capital has special characteristic features in the Corinthian order. It is made more luxuriously, bringing to life the artist’s plans, it is lighter and more refined.

Entablature details

Facade architecture, made in ancient antique styles, classicism and some others, contains such a composition detail as an entablature. True, in modern realities the concept of a certain architectural style is quite arbitrary, since most often buildings are made in an eclectic, that is, mixed style.

The materials used are stone, its artificial version, and gypsum. Stucco is a traditional material for an entablature, giving it an antique look, but the main disadvantage of this material is that it is capricious, susceptible to weather damage and is not durable.

The building, made in the ancient architectural order, has the main elements:

• a structure made of posts and beams, the column being considered its main element. Its top ended with a capital. The lines of the columns gave the building a solemn and monumental appearance. Although there were structures that did not have rows of columns, even then the order was called incomplete;
• stereobat - the base on which the columns rested. This is a stone foundation, slightly elevated above ground level, stepped. The top slab of the stereobat is a stylobate;
• an entablature resting on columns and supports, and in turn consisting of a cornice, frieze and architrave.

Architrave

The architrave is the main beam resting directly on the capitals of the colonnade. The Doric architrave is smooth, while the Ionic and Corinthian architrave has one or more ledges. This is an important, fundamental element of the entablature.

Friezes and cornices

Frieze - the middle part of the entablature in the form of a strip or seam, a long protrusion, as if sandwiched between the cornice and the architrave, decorated with lush ornaments and relief plot images. The order system described above turned out to be very stable and in demand, and was used for a long time in construction.

The frieze of the Doric order is composed of triglyphs - rectangular slabs standing vertically, with several grooves on them, and metopes, which are either stone, decorated with paintings or reliefs. Metopes are also decorated along the upper horizontal edge with guttas - cones with a small truncated top or cylinders. The Ionic and Corinthian frieze is completely decorated with stucco or remains smooth. Often the wall is bordered by a wide strip on which there are picturesque or sculptural images that completely cover it - this is also a frieze.

Most people who do not have an architectural education often confuse the entablature with the cornice itself. Although this is fundamentally wrong, since the first is a monumental beam covering consisting of several parts, and the cornice is a horizontally protruding part of the wall, the edge of the roof that protects it from rain and supports the roof.

Entablature cornices

The traditional purpose of cornices is to protect the building from rainwater, but in architecture they are also often used for artistic purposes, helping to create a certain appearance of the building, giving it solemnity and monumentality.

Crowning

The upper part of the entablature, separating the flat walls and roofs, is the crowning cornice. It looks like a horizontal relief seam covering the entire perimeter of the building. It not only has a decorative function, but also protects the wall of the structure from precipitation and heating under the rays of the sun. Therefore, the material required for this type of cornices must meet high requirements for resistance to negative natural phenomena. Most often, stone is used for crowning cornices, and an artificial version too, which has proven itself well in construction and use in similar details of the internal facade of a building.

Interfloor

Used to visually divide the wall into separate tiers. The classic profile of such a façade detail creates an atmospheric play of shadows on its surface. A façade lined with a cornice between floors will make the appearance of the building more elegant and expressive. It also has a functional purpose, as it serves as a drainage for water flowing from above, preventing it from flowing along the wall of the building, and also creates additional shade.

In modern architecture, a frieze is any strip on a building that runs horizontally and divides a facade, wall or other surface into parts. It can be covered with all sorts of relief compositions, plot-based or not, ornaments, as well as sculptures and bas-reliefs.

The main purpose of the frieze is decorative; it serves to enhance the external attractiveness of the building. They are also used as the basis of a load-bearing structure for future building elements. Made from different materials, artificial stone has become especially popular because it can withstand bad weather and heavy loads without damage.

Smooth friezes on a building can be either an independent element or a preparatory element, with the future application of decorative elements to it. A smooth version of this architectural element helps to visually highlight some details of the facade and creates smooth transitions.

The first thing to do is decide on the material for the entablature. In addition to artificial finishing stone, modern technologies They suggest making it from polystyrene foam and polyurethane. Structures made from the latter are lightweight, so they do not overload the wall.

The appearance of polyurethane and expanded polystyrene is inferior to architectural stone; moreover, a stone entablature looks more impressive and will last much longer. If desired, you can purchase from specialized companies both individual parts of the entablature and the entire architectural order.

Construction companies produce cornices, friezes and architraves of the three main architectural orders: Ionic, Doric and Corinthian. Among other things, designers use them to create their own versions of facades and entablature decor options.

The entablature is often used in decoration country houses. However, you should always think about its appropriateness, because the style of the building as a whole must correspond to it. Thus, it is worth seeking advice from architectural professionals.

The frieze and cornice can be decorated with a large number of decorative elements, but you should not get too carried away by their presence, piling on each other and pretentiousness. It is very easy to overdo it with such decor, and the facade, instead of being light, carved, elegant and memorable, will turn out to be overloaded and lacking taste.

It would also be a mistake to try to combine parts of the entablature of different orders. For example, the frieze is from Ionic, and the architrave with cornice is from Doric. Such a mixture will no longer be eclectic; on the contrary, it will cause dissonance and inconsistency.

If the building design contains not only the entablature itself, but also a pediment located between the cornice and frieze, it should be made from a material such as polyurethane. Polyurethane gables are not only lightweight, they are not subject to rotting or cracking. Among other things, if desired, they can be repainted in any color.

Hearing the word “entablature”, an ignorant person should not be afraid. After all, it contains an invention that has been known since Antiquity and has not in vain earned its popularity. If used skillfully, such facade decor will make even a small house look like a luxurious estate.

/ What is a ceiling frieze?

What is a ceiling frieze?

The design of ceilings includes far more than just finishing the surface itself. You also need to worry about a beautiful junction between the wall and the ceiling surface. A ceiling frieze will help make this joint more aesthetically pleasing. In fact, this name hides the familiar ceiling plinth, which also has names: fillet, baguette, cornice and others.

What can it be made of?

There are quite a lot of materials from which such products are made. However, for the most part, those options that are available in the store and are reasonable in price are used. The most common and affordable fillets will be made from the following materials:

• Polyurethane

Plastic

This type of skirting boards is used when installing panel coverings. The fillet simultaneously serves as a fastening element and as a decoration for the joint. Most often, such skirting boards are designed to match the color of the panels used or are painted white.

Installation is carried out using screws screwed into dowels. However, the installation of this element is carried out simultaneously with the installation of the entire ceiling, so it is not purchased or used separately. Other types of plastic friezes are not particularly popular.

Polyurethane and foam

Despite the similarity of names, these are completely different materials with different properties. Polystyrene foam is a lightweight and rather fragile material. Polyurethane, on the contrary, is heavy and bends easily. In terms of price, these materials differ significantly - foam plastic will be the cheapest finishing method of all, and polyurethane fillets are quite expensive.

It makes sense to use foam skirting boards when the renovation budget is small and time is limited. Despite this, after gluing, foam cornices will look quite good if they are painted and the boundaries between adjacent elements are puttied.

Polyurethane friezes have phenomenal flexibility, but they weigh much more than foam ones. Therefore, the most durable adhesives should be used for gluing them. The price of such a finish will be much higher, but due to its flexibility, in many cases polyurethane products become the only possible finishing option.

Tree

A noble and very expensive finishing option. Accordingly, the cost of wooden fillets will be rather high. However, for your money you will get a very beautiful design of the junction of the wall and ceiling. In classic interiors, there is nothing better than a ceiling frieze made of wood, such as the one in the next photo.

Wooden design elements will have to be secured not with glue, but with screws or nails. Glue is used only in cases where, after installation, the product is not intended to be painted. In other cases, the heads of nails or screws are sealed with putty and, after drying, painted to match the color of the wood.

Gypsum

A very expensive design option. Gypsum cornices need to be purchased with a fairly large reserve, since they are quite fragile and often break during installation. In addition, after installation, they must be carefully puttied and painted.

Installation is carried out either with glue or with nails. However, the track is often insufficient, which causes parts to peel off and fall out, therefore, it is worth using both fastening options at the same time. After all parts of the cornice are secured, the joints are puttied, and the entire surface of the frieze is painted.

How to choose

Like any other item, you have to carefully choose a ceiling molding. You need to pay attention not only to what it is made of, but also to its width. You can decide what width is best to glue the ceiling frieze based on the height of the walls of the room. The larger the room, the wider this element can be.

In addition, you must carefully select the design that will decorate the product. In most cases, a simple smooth surface is sufficient, but in some interiors it is better to choose details with voluminous or flat patterns applied to them.

The last characteristic of this part that you should pay attention to is its profile. It can be flat, with one wave or several bends. You need to choose the option that best suits your specific interior.

(French frise)

1) in an architectural order, the middle part of the entablature, between the architrave and the cornice. In the Doric order, the frieze is divided into metopes and triglyphs; in the Ionic and Corinthian orders, it is filled with a continuous ribbon of reliefs or left empty.

2) a continuous strip of decorative sculptural, painting, and other images (often of an ornamental nature), bordering the top of the walls or the floor surface of the room, the carpet area, etc.

Architectural Dictionary. 2012

See also interpretations, synonyms, meanings of the word and what FRIZ is in Russian in dictionaries, encyclopedias and reference books:

• FRIEZE in the Dictionary of Fine Arts Terms:
  - 1. In architectural orders, the middle horizontal part of the entablature, between the architrave and the cornice; in the Doric order it is divided into triglyphs and ...
• FRIEZE in the Big Encyclopedic Dictionary:
  (Fries) Jacob Friedrich (1773-1843) German idealist philosopher, professor in Jena. Follower of I. Kant, F. Jacobi, F. ...
• FRIEZE in the Encyclopedic Dictionary of Brockhaus and Euphron:
  Frieze - in the architecture of ancient Greek and Roman temples, a part of the entablature lying between the architrave and the gzyms, in the Doric style occupied by alternating triglyphs and ...
• FRIEZE in the Modern Encyclopedic Dictionary:
  
• FRIEZE
  (French frise), 1) in architectural orders - the middle part of the entablature, between the architrave and the cornice in the Doric order, is divided into triglyphs ...
• FRIEZE in the Encyclopedic Dictionary:
  a, m. architect. 1. The middle part of the entablature, located between the architrave and the cornice. 2. Border, border of wall, ceiling, floor, carpet and...
• FRIEZE
  (French frise), in archit. orders - the middle horizontal part of the entablature, between the architrave and the cornice; in the Doric order it is divided into triglyphs and ...
• FRIEZE in the Big Russian Encyclopedic Dictionary:
  (Fries) Jacob Friedrich (1773-1843), German. philosopher, prof. in Jena. A follower of I. Kant, F. Jacobi, F. Schleiermacher, interpreted their teachings in ...
• FRIEZE in the Big Russian Encyclopedic Dictionary:
  M.G., see De Vries...
• FRIEZE
  fri"z, fri"zy, fri"za, fri"zov, fri"zu, fri"zam, fri"za, fri"zov, fri"zom, fri"zami, fri"ze, ...
• FRIEZE in the Complete Accented Paradigm according to Zaliznyak:
  fri"z, frie"zy, frie"za, frie"zov, frie"zu, frie"zam, frie"z, frie"zy, frie"zom, frie"zami, frie"ze, ...
• FRIEZE in the New Dictionary of Foreign Words:
  (French frise) 1) the middle part of the entablature, located between the architrave and the cornice; 2) border, border of a wall, floor, ceiling, ...
• FRIEZE in the Dictionary of Foreign Expressions:
  [fr. frise] 1. the middle part of the entablature, located between the architrave and the cornice; 2. border, border of a wall, floor, ceiling, carpet, etc. ...
• FRIEZE in the Russian Synonyms dictionary:
  zophorus, border, ...
• FRIEZE in the New Explanatory Dictionary of the Russian Language by Efremova:
  1. m. 1) a) The upper part of the structure in the form of a strip between the main beam and the cornice, usually decorated with a pattern (in architecture). ...
• FRIEZE
  frieze...
• FRIEZE in the Complete Spelling Dictionary of the Russian Language:
  frieze...
• FRIEZE in the Spelling Dictionary:
  fr`iz, -a...
• FRIEZE in the Spelling Dictionary:
  frieze...
• FREEZE in Dahl's Dictionary:
  husband. a thick, very fleecy yarn. | architectural part of the outlet between the architrave and the cornice. | carpentry cross outlet, fillet. | artil. ...
• FRIEZE in the Modern Explanatory Dictionary, TSB:
  (French frise),..1) in architectural orders, the middle horizontal part of the entablature, between the architrave and the cornice; in the Doric order it is divided into triglyphs and ...
• FRIEZE
  frieze, plural no, m. (French frise) (obsolete). Thick fleecy fabric like...
• FRIEZE V Explanatory dictionary Russian language Ushakov:
  frieze, m. (French frise). 1. The middle part of the entablature, part of the wall in the form narrow strip, located between the architrave and the cornice, usually ...

Entablature

An entablature is the top part of a building that is "held up" by columns or pilasters. Today, these designs are often used in most buildings, which stand out from others with their massiveness and luxury. In most cases, the presence of such architectural elements is present in buildings erected in the following styles: Egyptian, Antique, Mediterranean, Baroque, Rococo, Art Deco, Empire, Eclectic, Romanesque, Gothic, Classicism.

What does an entablature consist of?

The first use of such a design dates back to the times of Ancient Greece. Variations of the entablature and the structures of which it was composed varied according to different architectural orders. We are talking about stylistics, which served as the support for the embodiment of a certain artistic composition in the construction of a particular object.

For any architectural order, the presence of the following building elements was mandatory:

1. Post-and-beam design. Most often, columns with a capital were used as this part. During the construction of the building, at least 2 columns were used, symmetrically located in relation to each other. Their presence emphasized the massiveness of the structure and its beauty. If other elements acted as a beam structure, the order was considered incomplete.

1. Stereobat. Stones that act as foundations for columns or support beams. This is about plural, since most often this structure was a stepped element rising above the ground. The typical structure of a stereo unit is 3 steps.

1. Entablature. The upper part of the building, which was supported by colonnades and a stereobat. This is about horizontal design, which consists of several parts.

It is believed that the ancestors of the components of the entablature are wooden structures that were used in temples during Antiquity - longitudinal, transverse and end beams, as well as the base of the roof, which serves as protection from rain. The upper part of the entablature is the cornice; it is on this that the pitched roof. The next element of this architectural structure is the architrave - a beam, the emphasis of which is placed directly on the columns.

The final part of the mandatory element of any order is the frieze. We are talking about the middle “layer” of the entablature, which was used to decorate this massive structure. The frieze was located between the architrave and the cornice; most often, figures of animals, people and other symbols were carved on it, with the help of which buildings of those times were decorated.

Cornices for external facades

It is worth noting the fact that people who do not have knowledge in the field of construction often confuse the entablature and the cornice. The first and fundamental difference between these structures is the fact that the cornice is just an integral part of the entablature, just like a frieze or architrave. This is a wall projection located in a horizontal position, the main function of which is to protect the facade from water flows and support (support) for the roof.

Variations of cornices on external facades:

1. Dental. The second name of this architectural element “crowning cornice” explains its location in the building - as a crown. We are talking about a horizontal projection of the wall at the base of the roof.

1. Interfloor. These kinds of lines protrude beyond the boundaries of the walls and are used for the purpose of zoning a building or focusing attention on the transition of floors.

1. Basement. The main function of this part is to protect the cladding of the lower part of the structure.

At the same time, the entablature is an obligatory part of any order, which is the final part of the building. Please note that when ordering this architectural element, all its components must be present. The shape of the profile and the finishing of the frieze may vary depending on a particular order, while the basic design remains unchanged. By contacting our company, you can choose any variation of these structures, depending on your personal preferences and the style of the facility where they will be installed.

Base cornice

The main purpose of the basement cornice is a protective function, however, along with this, architects often use a similar structure as decoration for the external facade. Visually, its presence emphasizes the separation of the main wall and the plinth. If the base is presented as a prefabricated structure, the presence of this type of cornice can ensure its protection from moisture or freezing. Thus, the presence of a minor detail in the form of a plinth at the bottom of the building protects the building as a whole.

This exterior detail can be manufactured in various variations of shapes, colors and structures. In the product catalog you will find a list of items developed by our craftsmen. In addition, our company’s specialists are always ready to make a custom-made part, based on the provided sketch.

Entablature cornices

In addition to performing the function of protecting the facade from moisture, it is with the help of entablature cornices that the creation of a unique building style is ensured. With the help of this architectural element, you can emphasize not only the massiveness of the building, but also its solemnity.

Our website presents various variations of entablature cornices, which are made with artificial stone. At the client's choice, the aesthetic qualities of the product can correspond to any texture and shape; imitation of natural stones is also possible. If you want to emphasize the individuality of the building, our architects can develop individual project, which fully reflects your requirements and the character of the building.

Crowning cornices

If you want to find the location of the crown cornice, pay attention to the special projection under the roof arch, which separates the roof and the main facade. It is important to take into account the fact that this architectural element encircles the entire perimeter of the building. Along with other variations of the product, the crown of the building in the form of a dental cornice serves as protection for the walls not only from snow and rain, but also from heavy exposure to sunlight (overheating).

It is important that the material from which this design is made is durable and resistant to influence. natural phenomena and met decorative requirements. Our company specializes in the production of artificial stone products - construction material, which duplicates the advantages of rocks, but is lightweight, easy to install and process.

Interfloor cornices

Another type of product that can not only protect external facade, but also actively used by architects for the purpose of framing it, are interfloor cornices. With their help, the building is divided into zones corresponding to a particular height mark. Thanks to their use, you can visually enlarge the building or draw attention to structures located within a certain tier.

By collaborating with our company, you can create an unusual decor for the exterior of the building by using interfloor cornices. Our craftsmen will produce products based on your wishes regarding the shape, texture and color of this element. The products presented on the site are made from special material that is resistant to rain, wind, snow, temperature changes and ultraviolet radiation. Thus, the products will not only delight you with a long service life, but also fulfill their basic tasks in the form of wall protection.

Entablatures

The purpose of the entablature is to uniformly distribute the weight to which a particular roof structure corresponds. In addition, if there are columns, it serves as the basis for their upper part. Variations in the profile of the entablature depend on several indicators: the chosen order and the architectural style of the building.

Despite compliance with one or another direction developed in Greece and Rome, if the interior of the room is diametrically different from the design of the entablature, its texture or shape can be changed in order to harmoniously combine with the external environment. In addition, our specialists can make this product to order if you provide a sketch or photo on which to rely when developing the part.

Entablature friezes

The frieze is the most interesting part of the entablature, as it provides a decorative function. During the times of Ancient Greece and Rome, the outer part of this structure was distinguished by a variety of carved elements, displaying individual figures or symbols or demonstrating the overall composition. On the frieze, architects could depict the history of battles, interactions between gods and people, etc. Often the framing of this architectural element was made using a relief “drawing” - sculpture.

Today, friezes are used both as load-bearing structures and to frame the facade. Nowadays this name is attributed to any horizontal stripe, which visually divides a building or art object into several parts. By contacting our company, you can order friezes both as an edge for the top of the building, and in the form of a neat strip dividing the building into horizontal or vertical parts.

All products are manufactured with natural stone- a material that is durable and strong. At your request, the friezes will be decorated with certain symbols or ornaments, which can significantly change the appearance of the structure.

Friezes are smooth and profiled

For lovers of minimalism, our craftsmen are always ready to produce smooth and profiled friezes. We are talking about an element of architecture that is inconspicuous at first glance, located under the ceiling or cornice. At the same time, the use of such a detail can advantageously emphasize nearby structures or divide the wall into separate zones.

Thanks to the presence of friezes, the building can be transformed even without the use of additional massive elements. Our catalog contains products of various colors and decor. Delivery and installation are carried out by specialists from our company.

Classical architecture

Here the frieze is the middle part of the entablature, located between the architrave and the cornice. In the Doric order, the frieze strip is divided by alternating triglyphs and metopes. In other architectural orders, the frieze is made smooth or decorated with shallow sculptural relief.

Architecture of the Middle Ages and Modern Times

Outside the strict framework of classical architecture, the decoration of the upper part of a structure in the form of a continuous strip between the main beam and the cornice, often with decoration, can also be called a frieze. The strip can be decorated with an ornament, painting (picturesque image) or sculptural relief.

Types of frieze

Anthymion - a type of frieze with convex ornaments, most often found in combination with an Ionian column.

see also

Write a review on the article "Frieze (architecture)"

Notes

Links

• Wikimedia Commons logo Wikimedia Commons has media on the topic Frieze
• Frieze, in architecture // Encyclopedic Dictionary of Brockhaus and Efron: in 86 volumes (82 volumes and 4 additional). - St. Petersburg. , 1890-1907.

Excerpt characterizing the Frieze (architecture)

Oh Alix, my dear Alix! How can one get used to such horror? ...................... ..................... I'm so tired of begging and humiliating myself... Everything will be completely useless if the Cheka does not agree to send a request to Alapaevsk...... I will never know where to look for him, and I will never know what they did to him. Not an hour goes by without me thinking about such a dear face to me... What a horror it is to imagine that he lies in some abandoned pit or at the bottom of a mine!.. How can one endure this everyday nightmare, knowing that he has already will I never see him?!.. Just like my poor Vasilek (the name that was given to my dad at birth) will never see him... Where is the limit of cruelty? And why do they call themselves people?..
My dear, kind Alix, how I miss you!.. At least I would like to know that everything is fine with you, and that Dmitry, dear to your soul, does not leave you in these difficult moments......... ................................... If I had even a drop of hope left to find my dear Nikolai, I would seems to have endured everything. My soul seems to have gotten used to this terrible loss, but it still hurts a lot... Everything without him is different and so desolate.”

May 18, 1927. An excerpt from Princess Elena’s letter to Alexandra (Alix) Obolenskaya:
“The same dear doctor came again. I can’t prove to him that I simply don’t have any more strength. He says that I should live for the sake of little Vasilko... Is this so?.. What will he find on this terrible earth, my poor baby? ........................................ The cough has returned, and sometimes it becomes impossible to breathe. The doctor always leaves some drops, but I’m ashamed that I can’t thank him in any way. ................................... Sometimes I dream about our favorite room. And my piano... God, how far it all is! And did all this even happen? ........................... and the cherries in the garden, and our nanny, so affectionate and kind. Where is all this now? ................................ (out the window?) I don’t want to look, it’s all covered in soot and only dirty boots are visible … I hate damp.”